The End of the MCU As We Know It (And I Feel Fine)

As the prophesy foretold, yet another iteration of Spider-Man looks like it's going down the drain. As Deadline reported and not a single person is unaware of now, the deal between Sony and Disney to share the film rights to Spider-Man has ended. In broad strokes, this means no more Spider-Man in the Marvel Cinematic Universe, which, more than anything else, I think is pretty funny.

In an uncharacteristic move, I never ended up publishing reviews of Spider-Man: Homecoming or Far From Home. By the time I collected my thoughts on Homecoming, it was a little too late for anyone to care, and Far From Home had the whole "ENDGAME SPOILERS OH NO" problem. So for the sake of context, here are my thoughts on those two films as a whole.

They were okay films, certainly nothing outrageously wrong from a filmmaking standpoint. Like a lot of Marvel movies, they were fine. Nothing fancy in the mechanics, like camera work or style; if you've seen a Marvel movie you know what I mean. But as Spider-Man movies, they were not good. Spider-Man as a character lost much of what he had in the comics and other adaptations. He was like a sidekick, more or less, trying to impress Iron Dad in Homecoming, and taking orders from Fury to become Iron Boy in Far From Home. Everything that made Spider-Man special and important to me didn't survive the transition. These films felt more like Iron Man 4 and 5 than a reboot of Spider-Man. Where was his independent nature, his man-against-the-world struggle? Where was the working class perspective on this superhero nonsense? All gone. He was provided everything he needed by a rich man, even after said patron died. They even went so far as to homage the first Iron Man in Far From Home, as if to say, "Don't worry everyone, we have a new Iron Man." Spider-Man is not Iron Man. Not even close. I'm honestly surprised that distinction needed to be made more than once, like everyone didn't figure out it was a bad idea after Slott's Parker Industries comic run.

That's not even mentioning the supporting cast, which I found either annoying or superfluous. Each one is named after a legacy character, like Ned Leeds or Flash Thompson, but bears a shallow and mismatched resemblance to their namesake. Flash is a mathlete instead of a football player, but he hates Peter Parker and loves Spider-Man anyway. MJ is a counterculture misanthrope with one tone of voice, but her and Peter fall in love anyway. Ned is just Ganke Lee from Ultimate Spider-Man. As I've detailed before they all seemed scattered, unable to be the characters we know, but not allowed to be different ones either. It was frustrating in a way only someone who obsesses about Spider-Man can understand.

Hopefully that provides some context for when I say: I'm glad this Disney/Sony divorce is happening. My article railing against it in the first place was astonishingly accurate. I just didn't call that Spider-Man would replace Iron Man. He did just sort of appear with little explanation, and they had to change that iteration so much he was barely recognizable. Suffice it to say I disliked the direction they were going with him. The Sony-only venture Into the Spider-Verse was such a massive triumph that it almost washes away Amazing Spider-Man 2. Even the first Amazing Spider-Man was a good movie, and I will die on that hill. Everyone seems adamant to point out that Sony has a terrible track-record with the character, but I like all of those films more than the Marvel ones. Did we all forget Raimi's Spider-Man 2? Spider-Verse proves that Sony can go weird with it, which as far as I'm concerned is worth way more than another boilerplate Marvel film. Maybe someone could actually take some risks again, instead of dipping their toes in the water but ultimately playing it safe. Either give me Flash Thompson, or don't, none of this halfway business.

Not to mention Disney losing a property should be seen as a win by the great mass of moviegoers. Is anyone else terrified by the complete hegemony Disney has over the entertainment landscape? Marvel, Star Wars, classic Disney canon, and they just keep getting more, what with the Fox buyout that occurred recently. They recently released the lineup for Disney+, one of the many many streaming services about to release, meant to desperately claw for a piece of that Netflix cash. It's almost as bad as the Phase III plan they announced back in 2015. But the twist is, that's just one of the franchises they own! There's a separate one for Star Wars, for classic Disney properties, the Simpsons, they even got the goddamn Muppets. Nothing else illustrates in such stark detail the stranglehold Disney has over a wide swath of once-independent properties.

I have very little faith that Deadpool (a film nearly universally beloved) could've been made if Disney owned the character from the beginning. How about Logan? A sequel to a family-friendly franchise, instead rated R and living up to every inch of that rating. Could we ever get an R-rated Avengers film? This isn't how Disney works. Kid-friendly to a fault, and despite making billions of dollars they play it safe time and time again. I'm glad at least something I enjoy isn't eaten up by the conglomerate that thought The Last Jedi was a good idea.

Is Sony going to continue casting Tom Holland? Will they just reboot the whole thing again? Who knows! The only one here we can really pity is Tom Holland in the event he's recast, but then again, nobody really shed a tear when Andrew Garfield got fired. Somewhat troubling is the notion that this might foretell a film version of One More Day, where Mephisto shows up to undo Spider-Man's identity issues, and maybe make everyone forget he exists entirely. At least this time the retcon would work for me. I'm glad I have no idea what's going to happen! I'm sick of superhero movies being the equivalent of the constant tiresome crossover events in comics!

Then again, this may all be a moot point. There's always the possibility of new negotiations, nothing's set in stone. Obviously at this point you know I'd be disappointed if this was reversed. We'll just have to wait and see what the full implications are to this, but I'm a Spider-Man fan, this ain't my first reboot, and it won't be the last.

Spider-Man: Far From Home Teaser Trailer

Aah... With Spider-Verse out and winning awards, everything's looking up for your favorite Spider-Man fan! Nothing going south here, it's all sunshine and daisies, right?

WRONG.

FUCK.

Now I'm not trying to be a Negative Nancy over here, but I'm just saying that from this trailer and what Spider-Verse did to my expectations it looks like this movie is going to be a giant steaming pile of shit.

Okay, so I'm a Negative Nancy.

Just, try to see it my way. The very first thing in the teaser is yet another "Aunt May is Hot" joke. I bet you thought they milked that dry in Homecoming, didn't you? WELL YOU'RE STUPID OF COURSE THEY DIDN'T. Oh there's no Iron Man, so he won't spend the whole movie just following orders then? No! Nick Fury is here now to tell Spider-Man what to do! Great! I love it when the character about responsibility is just a lackey to a more well-established leader! Wait no I hate that.

IF-IF YOU NEED SOMEONE TO TELL SPIDER-MAN TO FIGHT CRIME IN A SPIDER-MAN MOVIE

WHA–IT'S BAD

REDO THE MOVIE–THROW IT OUT–REDO THE FUCKING MOVIE

Oh and I guess Mysterio is there, probably going to be a fake hero for half the movie then a STUNNING TWIST where he turns out to be evil. Good. Also it's looking like this move's Slotting it up with a new suit for Spider-Man, undoubtedly produced by Nick Fury so he can put it on and follow orders.

You know, this trailer does remind me of something that bothered me during Spider-Man: Homecoming. What is the deal with Flash Thompson in that film? In most adaptations, Flash is a stereotypical jock-bully. He preys on Peter because Peter's a nerd, it's nothing against Parker specifically. But in Homecoming, he's just another mathlete like the rest of Peter's friends, but Flash just hates him for no reason. And everyone's okay with that! It's not even like they're both smart but run in different social circles, they have the same group of friends. Does everyone hate Peter? Why? Flash gets called out more in media where he's a jock than in Homecoming. Hell, in Amazing Spider-Man, he has more character despite much less screentime!

Of course now they're doing the Flash as Spider-Man Fan angle, which makes no sense when you consider that Spider-Man stole and totaled his car in Homecoming. It just feels like a checklist, where they change up characters so it seems fresh, but they gotta hit the same bullet-points despite how it contradicts how the revamped characters are set up.

Honestly I'm not even that mad. Now that Spider-Verse exists and has won awards, it's fine that Marvel's productions don't suit me. It's more like comics, where there's more than one line running for a character, so you can just read the one you like. That's what made the Slott years so unbearable, there was just no alternative. As long as Spider-Verse gets a sequel of comparable quality, Marvel can make as much shit as they want. I do like to bitch about Spider-Man though, so I'll see it eventually.

Iron Man 3 Review

Hey, you guys remember that movie, you know, the one that came out with the dude in the metal rocket suit? It was right before he was in the Avengers. Iron Man, yeah. That didn't have a sequel. Okay, well, now it did. (There's spoilers if you haven't seen it.)

Movie Review: Iron Man 3

Okay, obviously I jest about there being no Iron Man 2. Otherwise how could we be optimistic about Iron Man 3? Okay yeah let's just start things.

So Iron Man 3 is more of a sequel to The Avengers than it is to IM2. Which makes sense, nobody wanted to remember 2. So we got Tony. Gone is his random alcoholism that appeared in 2, which all the comic fans were waiting with baited breath to see. Instead, we get a Stark with panic attacks. I'm a bit torn on these, because on the one hand it makes Stark's entrance into a world of actual superhumans have more weight, so it actually affected his character. On the other hand, It's like they picked it from a list, and added it into scenes later. By the end of the movie this little subplot never actually gets resolved, he just sort of gets over it somehow by beating the movie's villain.

Pepper starts cool as usual, running the company and shit, and the romance between her and Tony still isn't really played up in here. It's just sort of there, but nothing really happens with it. As far as what happens to her in the movie, it's a little back and forth. At one point she's wearing parts of the Iron Man suit, but then she's kidnapped and scienced-on, then right at the end she's badass for a second, and it's over. I mean, they barely avoided the Women-In-Refrigerators thing with her, but for a big chunk of the movie she's just sort of strapped to an upright table. Neither of those is what I'd like for Pepper, considering she's best as the competant businesswoman who happens to be dating Tony. My problem with this is the fact that when people try to make "Strong Female Characters" they tend to always go for physically strong, and by this point that's a tired concept. (CoughDarkKnightRisesCatwomancough)

The villains. Firstly there's the Mandarin who (SPOILER ALERT) was an actor the whole time. On one hand it kind of makes sense, because the Mandarin makes no sense. On the other hand, it's kind of lazy, seeing as how they could just throw anything at him and be all "WELL HE WAS FAKE SO WHATEVER HA HA HA." Not to mention the whole thing seems a little too Dark Knight Rises for my tastes. You know, he's Bane, the villain that has no motivation, and then Dr. I Don't Remember Her Name is like Talia, in that she acts friendly but is all evil later.

Killian, the real villain apparently, really didn't make much sense to me. I mean, yeah, he wanted to bang Pepper, but seriously, he was all buff and hot and stuff, don't you think he would have moved on by that point? And I'm a little confused about his logic with stuff. So, in his secret research facilities, people exploded, so he decided to make people explode in public places, Then he made up the Mandarin so the Government would have someone to blame for the random explosions he caused. ...Then... Profit? I mean, yeah, he was looking for a government contract, but it seems way too elaborate for that. You would think if he blew the hell out of a dude's house with helicopters and then kidnapped the President, it would make it a bit too easy to find the people that did it. I don't get where he was going.

War Machine, er, Iron Patriot was fine. I mean, he didn't really change too much, and I guess he helped Tony instead of punching him, so that works. The problem was halfway through the movie when we get Small Town Time with Anakin Skywalker. That was pretty annoying,

I expected a bit more out of the whole Extremis thing, like I thought it would tie in more with the whole Super Soldier thing that was in Captain America and The Incredible Hulk. It just sort of happened, as a random bad thing independent of the rest. I really thought, at the very least, Killian's motivation would be for the human race to survive in a world with Gods and Hulks. Without that he felt pretty shallow. If anything this movie suffers from trying to be both really on its own and really connected to The Avengers.

So overall, better than Iron Man 2, not as good as Iron Man 1. It was like Avengers in that it was a pretty good ride, but didn't really have much depth to it. The scene with a billion Iron Mans is probably the most memorable one, but who knows what else you'd remember. It's still worth a watch, especially if you've suffered through Iron Man 2. So until next time, this is the W Defender.